Narrative Culture, Volume 6, Number 2, Fall 2019 (Thinking with Stories in Times of Conflict)

Narrative Culture claims narration as a broad and pervasive human practice, warranting a holistic perspective to grasp its place comparatively across time and space. Inviting contributions that document, discuss and theorize narrative culture, the journal seeks to offer a platform that integrates approaches spread across numerous disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth. 

Narrative Culture
Volume 6, Number 2, Fall 2019
Special Issue: Thinking with Stories in Times of Conflict

Preface
Cristina Bacchilega and Anne E. Duggan

Camera Obscura and Zoetrope: Tarsem and Magic/Reality in Transcultural Fairy-Tale Film
Pauline Greenhill

Revolutionary America from Concord and Lexington to Ferguson: Folk Transmediation of Historical Storytelling
Anne Kustritz

Rodgers and Hammerstein’s Cinderella: Agency and Possibility amidst Conflict and Wonder
Jill Terry Rudy

Disney’s Moana, the Colonial Screenplay, and Indigenous Labor Extraction in Hollywood Fantasy Films
Ida Yoshinaga

The Fag End of Fāgogo
Dan Taulapapa McMullin

Moʻolelo as Resistance: The Kaona of “Kahalaopuna” in a Colonized Environment
J. Uluwehi Hopkins