Jewish Film & New Media Volume 6, Number 1 (Spring 2018)

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media Volume 6 Number 1 (Spring 2018)

Articles

“The Catskill Mountains with Arabs”: Pluralizing the Meanings of Melville Shavelson’s Cast a Giant Shadow (1966) 
Boaz Hagin

Making Peace or Piecemeal? Arnold Wesker’s Screenplay and Wolfgang Storch’s TV Adaptation of Arthur Koestler’s Thieves in the Night
Axel Stähler

Meta-Memory: About the Holocaust in New Israeli Video Art
Olga Gershenson

“An I fort Jews were supposed to be lucky!” Jewish Wide Boys, Soho, and Postwar British Cinema
Jingan Young

Reviews

On King’s The Beauty of Judaism on Film
David B. Levy


On Philipides and Schuder’s The Village of Peace
Kameron J. Copeland


On Dawidowicz’s The Life of Simón Bolívar
Rafael Arreaza Scrocchi


On Ross’s Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America
Vincent Brook

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