Jewish Film & New Media Volume 5, Number 2 (Fall 2017)

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media Volume 5 Number 2 (Fall 2017)

Articles
Exodus, the Movie—Half a Century Later: The Interplay of History, Myth, Memory, and Historiography
Aviva Halamish

Altering Hebrewness: Holocaust-Survivor Characters in Under the Domim Tree (Etz Ha’domim Tafus)
Rami Kimchi

Take This Waltz, Take This Photo: Photography and Holocaust Memory in Israeli Graphic Novels
Ofra Amihay

“Historical Argument” or “Cowboys and Indian”? Arnold Wesker’s TV Screenplay of Arthur Koestler’s Thieves in the Night
Axel Stähler

Reviews
On Haskell’s Steven Spielberg: A Life in Films
Benjamin Wright

On Whitehead’s Mike Nichols and the Cinema of Transformation
Vincent Brook

On Jordan’s From Nuremberg to Hollywood: The Holocaust and the Courtroom in American Fictive Film
Lawrence Baron

On Chapman, Ellin, and Sherif’s Comics, the Holocaust and Hiroshima
Liat Steir-Livny

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