Jewish Film & New Media Volume 5, Number 1 (Spring 2017)

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media Volume 5 Number 1 (Spring 2017)

Articles

Got Jewish Milk? Screening Epstein and Van Sant for Intersectional Film History
Helene Meyers

"It Happened Before and it Will Happen Again": Online User Comments as a Noncommemorative Site of Holocaust Remembrance 
Aya Yadlin-Segal

Talking Cures? Jews and Sex Therapy in Nymphomaniac and A Dangerous Method 
Carol Siegel

The Importance of Jewish Ritual in the Secular, Postmodern World of Transparent
Roberta Rosenberg

Reviews

On Capua's Anatole Litvak: The Life and Films
Andrew Spicer

On Pomerance and Palmer's George Cukor: Hollywood Master
Elyce Rae Helford

On Pozner and Laurent's Kinojudaica
Catherine Portuges

On Case's Calling Dr. Strangelove: The Anatomy and Influence of the Kubrick Masterpiece
Kirsten Fermaglich

On Lassner's Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film
Toby Manning

On Pick-Hemo's Wounded Homeland: The Changing Representation of Trauma in Israeli Cinema
Eran Kaplan

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