Jewish Film & New Media Volume 1, Number 2 (Fall 2013)

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

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Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Table of Contents

Figuring Jewishness in George Cukor’s A Double Life
Elyce Rae Helford
 
Challenging the “Hollywoodization” of the Holocaust: Reconsidering Judgment at Nuremberg (1961)
Jennifer Frost

Serial Trauma: Seriality and Post-Trauma in the Israeli Television Drama Parashat Ha-Shavu’a
Itay Harlap
 
Review Essay
The Good, the Bad, and the Fatal: Ben Urwand on the Hollywood Moguls and Hitler
Joel Rosenberg
 
Reviews
On Brittain and Spotton’s Memorandum
Jordan Osterer
 
On Hicks’s First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938–1946 
Marat Grinberg

On Dunn’s The Worlds of Wolf Mankowitz: Between Elite and Popular Cultures in Post-War Britain 
Searle Kochberg

On Ashkenazi’s Weimar Film and Modern Jewish Identity
Kerry Wallach
 
On Reimer and Reimer’s Historical Dictionary of Holocaust Cinema
Lawrence Baron
 
On Epstein’s American Jewish Films: The Search for Identity
Stephen J. Whitfield


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