Framework Volume 58, Numbers 1-2, Spring/Fall 2017
Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.
Framework Volume 58, Numbers 1-2 (Spring/Fall 2017)
Table of Contents
Editorial
Drake Stutesman
The Animal Logic of Contemporary Greek Cinema
Rosalind Galt
DOSSIER: French Cinema at the Margins: Forgotten Sites, Practices, and Discourses, 1920–1960
Introduction: French Cinema at the Margins
Eric Smoodin, Guest Editor
Cinephiles and Children: Discourses and Practices of Cinema Education in 1920s Paris
Annie Fee
Toward a History of French Ecocinema: Nature in Dimitri Kirsanoff’s Modernity
Brian Jacobson
For a Concrete Aesthetics: Against Avant-Garde Films c. 1930
Jennifer Wild
“To Show the People in Paris How We Live Here”: Working-Class Representation, Paul Carpita, and Film History
Sabine Haenni
“The Last Amateurs of Pure Cinema”: Ciné-Clubs and French Film Culture, 1930–1945
Eric Smoodin
ESSAY
Star Gazing via Documentary
Priyadarshini Shanker
DOSSIER: The Fan as Doppelgänger
Introduction
Anupama Kapse and Meheli Sen, Guest Editors
Fan and its Paratexts
Monika Mehta
Embodiment and Stardom in Shahrukh Khan’s Fan
Neepa Majumdar
Doubling Offscreen and Onscreen: Queering the Star and the Fan in Fan
Nilanjana Bhattacharjya
The Mirror of Desire: Queerness, Fan and the Riddles of Paheli
Meheli Sen
Double Trouble: SRK, Fandom and Special Effects
Anupama Kapse
Interview with Manu Anand, Director of Photography of Fan
Priyadarshini Shanker
INTERVIEW
Neither Day Nor Night: Palestine through the Lens of Peggy Ahwesh
Jenelle Troxelle