Criticism, Volume 58, Number 3, Summer 2016

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Criticism, Volume 58, Number 3

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Criticism provides a forum for current scholarship on literature, media, music and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

Criticism Volume 58, Number 3, Summer 2016

Kissing A Photogaph: Reproductive Panic in Kate Chopin and Thomas Hardy
Arielle Zibrak

Thoreau's Journal or the Workshop of Being
François Specq

The Colonial Baroque in Australia: On Drover Boab Texts, Wiradjuri Clubs, and Charlie Flanningan's Drawings
Michael J. Farrell

Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare's Rape of Lucrece and Twelfth Night
Lynn M. Maxwell

By What Strange Channels: Nicholas Mosley's Literary Circuits
Abram Foley

Why is Beloved So Universally Beloved? Uncovering Our Hidden Aesthetic Criteria
Timothy R. Aubry

Reviews

Jessica Hanselman Gray on Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity by Marilyn Francus

Sharif Youssef on Are You My Mother? A Comic Drama by Alison Bechdel

Jonathan Lamb on Islanders: The Pacific in the Age of Empire by Nicholas Thomas

John Emil Vincent on Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol by Nicholas de Villiers

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